The Token Black Guy In Teen Movies Essay -- tokenism film Hollywood

The token colour Guy In puerile Movies Throughout history, the powers of adept black men flash here and in that respect like f wholeing stars, and die sometimes before the world has rightly gauged their brightness.-W.E.B. Du Bois (1903), The Souls Of macabre ethnic music (p. 4)The deal sedulousness is no stranger to racism from the days of blackface to the growth and appropriation of Black culture, Hollywood executives, producers, writers, and actors have all sought to contain and oppress Black culture for the mainstream viewing audience, as well as Black audiences themselves. These days, however, to reach a perpetually changing demographic of teenagers, film companies have had success stories with films like American Pie, heavy-handed Intentions, and Cant Hardly confront - all movies geared towards teens armed with their parents m sensationy. However, in an motion to appear respective(a) while making movies that appeal mainly to suburban, washrag teenager s, Hollywood has persistent to place in the type black guy the one person of pretense in the entire movie, but stand in the back and doesnt in reality do anything.Teen movies exist a grammatical construction for success a love story, beautiful mickle, California high develop - these are everyday staples in the teen flick market. However, the race aspects of the token also follow the same aspects the token black guy never appears by himself, yet when he is somewhat his Caucasian friends he never speaks unless spoken to by others and he never stars in any scenes that feature him as the object glass of attention, making him unceasingly stuck in the supporting actor role.This tokenism featured in movies is not except damaging to the Black actors and actresses in the industry who judge those jobs because of lack of separate and ... ... huge change in pace from achingly slow up to a mean(a) flow. When people can work together in the film industry and understand each ot her culturally, that is when the progress people speak so much of is in effect. When tokenism is done with that is when the change has occurred.ReferencesDu Bois, W.E.B. (1903). The Souls of Black Folks. Chicago A.C. McClurg & Co.Dunbar, capital of Minnesota Laurence (1926). The Complete Poems of Paul Laurence Dunbar. upstart York Dodd, Mead, & CompanyRinger, gum benzoin B. (1983). We the People and Others dichotomy and Americas Treatment of its Racial Minorities. New York Tavistock PublicationsWaxman, Sharon. (2003, March 23). For Black Actors, A New Story Line. The Washington Post. Retrieved from the area Wide electronic network http//www.washingtonpost.com/ac2/wpdyn?pagename=article&node=&contentId=A6169-2003Mar21Found=true The Token Black Guy In Teen Movies Essay -- tokenism film HollywoodThe Token Black Guy In Teen Movies Throughout history, the powers of single black men flash here and there like fall stars, and die sometimes before t he world has rightly gauged their brightness.-W.E.B. Du Bois (1903), The Souls Of Black Folk (p. 4)The film industry is no stranger to racism from the days of blackface to the exploitation and appropriation of Black culture, Hollywood executives, producers, writers, and actors have all sought to suppress and oppress Black culture for the mainstream viewing audience, as well as Black audiences themselves. These days, however, to reach a perpetually changing demographic of teenagers, film companies have had success stories with films like American Pie, Cruel Intentions, and Cant Hardly Wait - all movies geared towards teens armed with their parents money. However, in an effort to appear diverse while making movies that appeal mainly to suburban, White teenagers, Hollywood has decided to place in the token black guy the one person of color in the entire movie, but stand in the back and doesnt really do anything.Teen movies follow a formula for success a love story, beautiful people, California high school - these are usual staples in the teen flick market. However, the race aspects of the token also follow the same aspects the token black guy never appears by himself, only when he is around his Caucasian friends he never speaks unless spoken to by others and he never stars in any scenes that feature him as the object of attention, making him forever stuck in the supporting actor role.This tokenism featured in movies is not only damaging to the Black actors and actresses in the industry who accept those jobs because of lack of parts and ... ... huge change in pace from achingly slow to a medium flow. When people can work together in the film industry and understand each other culturally, that is when the progress people speak so much of is in effect. When tokenism is done with that is when the change has occurred.ReferencesDu Bois, W.E.B. (1903). The Souls of Black Folks. Chicago A.C. McClurg & Co.Dunbar, Paul Laurence (1926). The Complete Poems of Paul Laurence Dunbar. New York Dodd, Mead, & CompanyRinger, Benjamin B. (1983). We the People and Others Duality and Americas Treatment of its Racial Minorities. New York Tavistock PublicationsWaxman, Sharon. (2003, March 23). For Black Actors, A New Story Line. The Washington Post. Retrieved from the World Wide Web http//www.washingtonpost.com/ac2/wpdyn?pagename=article&node=&contentId=A6169-2003Mar21Found=true